How to write a first draft: A novel approach In learning how to write a first draft, having an effective method is everything.
Which often leads to the most terrifying thing writers face: All first drafts have plot holes, places where character motivation goes missing, dull scenes, clunky transgressions and unearned epiphanies.
But sheesh, the thought of a potential F. Scott Fitzgerald scaling teeth is kind of sad. Anytime they can do less instead of more, they will, a minimalist philosophy they follow religiously.
Plus, since staring at that blank page can be exceedingly stressful, the relief of letting it all pour out not only feels good, it feels right. Well, you must not be a real writer after all.
That is, a draft that begins to capture — in rudimentary, unpolished form — the story itself. So rather than flying blind, here are nine tips that can help you create that sort of shitty first draft, as opposed to a bunch of pages with words randomly romping across them.
Concentrate on what the language is meant to convey: I recently spoke with a writer who was celebrating having finished the first draft of his novel.
He told me proudly that it came in at a little overwords, and that he loved every single one of them. Know what your point is before you begin to write. All stories make a point, and everything in a story — in one way or another — builds toward it.
Might your point change as you write? But even knowing what your point might be allows you to focus in on a story that makes it, rather than romping aimlessly. A story making a point moves, a story that romps tends to run in place. Is it harder to write this way? Know the overarching problem your protagonist will face.
Know your ending first. How will you know what turns to take?
How will you know what needs to happen next? Without a target to aim for, chances are high your story will idle in neutral. Know how your protagonist sees the world. If the overarching problem is what gives your story context, what gives it meaning is how your protagonist navigates that problem.
In other words, how does your protagonist react to what happens? One of the most stubborn brain myths is that our brain is like a camera, recording an exact, objective account of everything we see. Rather, we record events in bits and pieces, subjectively, depending on what matters most to us.
Your reader will be getting to know your protagonist on the first page, but you need to know her inside and out long before you commit her to paper.
Here is the essence of a story: Everything in the story impacts this quest. Once you zero in on it, it becomes a live sensor that beeps madly when the connection is broken. Why is my protagonist reacting the way she does?Write a novel in a month!
Track your progress. Get pep talks and support. Meet fellow writers online and in person. Thank you for providing such helpful information. After reading the first 52 pages of a manuscript, my wife encouraged me to hurry up so she could see how the story ends.
“As a writer you should not judge. You should understand,” Ernest Hemingway (July 21, –July 2, ) counseled in his Esquire compendium of writing advice, addressed to an archetypal young correspondent but based on a real-life encounter that had taken place a year earlier.
In , a. If you want to learn how to write a first draft, I'd like you to lower the bar. Many writers call their first pass the vomit draft. So don't stop to edit yourself, straighten up your sentences or to see if what you wrote sounds reasonable.
Beginning every sentence with “I.” The first-person narrator tempts writers into focusing on the narrating character to the exclusion of other subjective nouns.
30 Indispensable Writing Tips From Famous Authors. Writing is easy: All you have to do is start writing, finish writing, and make sure it's good.